About
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- Upcoming Performances
- Past Performances
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About
Calendar
- Upcoming Performances
- Past Performances
Audio & Video
Images
Press
Contact

The Metropolitan Opera

The Metropolitan Opera
March 21, 2015

Massenet, Manon (Javotte)
Emmanuel Villaume, conductor
More Information

What’s Next

Oper Frankfurt
December 17, 2023 - January 3, 2024
Mozart, Ascanio in Alba (Ascanio)
Alden Gatt, conductor
Nina Brazier, director
More Information

On Instagram

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

Happy World Opera Day! 🎶

Throwing it back with this pic to one of my favorite productions: Bellini’s I Capuleti ed i Montecchi @operaomaha in 2021 with @mochrisallen @darrah_fawcet @andrianachuchman @appleandgreen_ag @shaunaydavis @yukiizumihara @charles_neumann @humbar @pablosdesign @ronelloliveri ♥️♥️♥️

Happy World Opera Day! 🎶

Throwing it back with this pic to one of my favorite productions: Bellini’s I Capuleti ed i Montecchi @operaomaha in 2021 with @mochrisallen @darrah_fawcet @andrianachuchman @appleandgreen_ag @shaunaydavis @yukiizumihara @charles_neumann @humbar @pablosdesign @ronelloliveri ♥️♥️♥️

SCHERZA, INFIDA excerpt - Handel’s ARIODANTE

It’s honestly hard for me to put into words how much this aria means to me. Diving into the character’s utter despair/anger/grief in this moment of the opera - it took me for a wild ride when I first hooked into it. The heartbreak of the moment (believing my beloved has betrayed me) combined with this absurdly beautiful music - it’s maybe my favorite aria, full stop.

Performing this with Jean-Christophe Spinosi was one of those moments that makes all the hard parts of this career worth it. The audience applause afterwards was also a moment I’ll never forget ☺️

Israeli Opera 2023, Barrocada Ensemble, Matheus Ensemble. David McVicar Production ♥️

SCHERZA, INFIDA excerpt - Handel’s ARIODANTE

It’s honestly hard for me to put into words how much this aria means to me. Diving into the character’s utter despair/anger/grief in this moment of the opera - it took me for a wild ride when I first hooked into it. The heartbreak of the moment (believing my beloved has betrayed me) combined with this absurdly beautiful music - it’s maybe my favorite aria, full stop.

Performing this with Jean-Christophe Spinosi was one of those moments that makes all the hard parts of this career worth it. The audience applause afterwards was also a moment I’ll never forget ☺️

Israeli Opera 2023, Barrocada Ensemble, Matheus Ensemble. David McVicar Production ♥️

That’s a wrap on 2022-2023! What a big, beautiful year: Charlotte @oper_frankfurt, Ariodante @israelopera, Xerxes @komischeoperberlin, a concert with @harry_bicket and @oslmusic @carnegiehall, @tedddrh’s new Zauberflöte and @tilmankoehler’s Le vin herbé @oper_frankfurt. Grateful, happy, exhausted. Time for some R&R in the US of A!

But also…I’m already getting excited about next season, which includes two new title roles in new productions: La Cenerentola @bostonlyricopera with @nawdms and @operamaestro, and Ascanio in Alba @oper_frankfurt with @aldenpiano and @nina_brazier, plus Mozart’s Requiem with @nyphilharmonic and @jaapvanzweden @lincolncenter❣️

@c_w_management
#operasingersofinstagram #opera #mezzosoprano #ilovemyjob #mozart #rossini #festlife #guestlife

That’s a wrap on 2022-2023! What a big, beautiful year: Charlotte @oper_frankfurt, Ariodante @israelopera, Xerxes @komischeoperberlin, a concert with @harry_bicket and @oslmusic @carnegiehall, @tedddrh’s new Zauberflöte and @tilmankoehler’s Le vin herbé @oper_frankfurt. Grateful, happy, exhausted. Time for some R&R in the US of A!

But also…I’m already getting excited about next season, which includes two new title roles in new productions: La Cenerentola @bostonlyricopera with @nawdms and @operamaestro, and Ascanio in Alba @oper_frankfurt with @aldenpiano and @nina_brazier, plus Mozart’s Requiem with @nyphilharmonic and @jaapvanzweden @lincolncenter❣️

@c_w_management
#operasingersofinstagram #opera #mezzosoprano #ilovemyjob #mozart #rossini #festlife #guestlife

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Cecelia Hall is represented by Camilla Wehmeyer of Camilla Wehmeyer Management.

Visit Cecelia's page on the Camilla Wehmeyer Management website.

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