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About
Calendar
- Upcoming Performances
- Past Performances
Audio & Video
Images
Press
Contact

Opera Theatre of Saint Louis

Opera Theatre of Saint Louis

Opera Theatre of Saint Louis
June 11, 2016

Strauss, Ariadne on Naxos (Composer)
Rory Macdonald, conductor
Seán Curran, director
More Information

What’s Next

Oper Frankfurt
December 17, 2023 - January 3, 2024
Mozart, Ascanio in Alba (Ascanio)
Alden Gatt, conductor
Nina Brazier, director
More Information

On Instagram

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

Happy World Opera Day! 🎶

Throwing it back with this pic to one of my favorite productions: Bellini’s I Capuleti ed i Montecchi @operaomaha in 2021 with @mochrisallen @darrah_fawcet @andrianachuchman @appleandgreen_ag @shaunaydavis @yukiizumihara @charles_neumann @humbar @pablosdesign @ronelloliveri ♥️♥️♥️

Happy World Opera Day! 🎶

Throwing it back with this pic to one of my favorite productions: Bellini’s I Capuleti ed i Montecchi @operaomaha in 2021 with @mochrisallen @darrah_fawcet @andrianachuchman @appleandgreen_ag @shaunaydavis @yukiizumihara @charles_neumann @humbar @pablosdesign @ronelloliveri ♥️♥️♥️

SCHERZA, INFIDA excerpt - Handel’s ARIODANTE

It’s honestly hard for me to put into words how much this aria means to me. Diving into the character’s utter despair/anger/grief in this moment of the opera - it took me for a wild ride when I first hooked into it. The heartbreak of the moment (believing my beloved has betrayed me) combined with this absurdly beautiful music - it’s maybe my favorite aria, full stop.

Performing this with Jean-Christophe Spinosi was one of those moments that makes all the hard parts of this career worth it. The audience applause afterwards was also a moment I’ll never forget ☺️

Israeli Opera 2023, Barrocada Ensemble, Matheus Ensemble. David McVicar Production ♥️

SCHERZA, INFIDA excerpt - Handel’s ARIODANTE

It’s honestly hard for me to put into words how much this aria means to me. Diving into the character’s utter despair/anger/grief in this moment of the opera - it took me for a wild ride when I first hooked into it. The heartbreak of the moment (believing my beloved has betrayed me) combined with this absurdly beautiful music - it’s maybe my favorite aria, full stop.

Performing this with Jean-Christophe Spinosi was one of those moments that makes all the hard parts of this career worth it. The audience applause afterwards was also a moment I’ll never forget ☺️

Israeli Opera 2023, Barrocada Ensemble, Matheus Ensemble. David McVicar Production ♥️

That’s a wrap on 2022-2023! What a big, beautiful year: Charlotte @oper_frankfurt, Ariodante @israelopera, Xerxes @komischeoperberlin, a concert with @harry_bicket and @oslmusic @carnegiehall, @tedddrh’s new Zauberflöte and @tilmankoehler’s Le vin herbé @oper_frankfurt. Grateful, happy, exhausted. Time for some R&R in the US of A!

But also…I’m already getting excited about next season, which includes two new title roles in new productions: La Cenerentola @bostonlyricopera with @nawdms and @operamaestro, and Ascanio in Alba @oper_frankfurt with @aldenpiano and @nina_brazier, plus Mozart’s Requiem with @nyphilharmonic and @jaapvanzweden @lincolncenter❣️

@c_w_management
#operasingersofinstagram #opera #mezzosoprano #ilovemyjob #mozart #rossini #festlife #guestlife

That’s a wrap on 2022-2023! What a big, beautiful year: Charlotte @oper_frankfurt, Ariodante @israelopera, Xerxes @komischeoperberlin, a concert with @harry_bicket and @oslmusic @carnegiehall, @tedddrh’s new Zauberflöte and @tilmankoehler’s Le vin herbé @oper_frankfurt. Grateful, happy, exhausted. Time for some R&R in the US of A!

But also…I’m already getting excited about next season, which includes two new title roles in new productions: La Cenerentola @bostonlyricopera with @nawdms and @operamaestro, and Ascanio in Alba @oper_frankfurt with @aldenpiano and @nina_brazier, plus Mozart’s Requiem with @nyphilharmonic and @jaapvanzweden @lincolncenter❣️

@c_w_management
#operasingersofinstagram #opera #mezzosoprano #ilovemyjob #mozart #rossini #festlife #guestlife

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