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About
Calendar
- Upcoming Performances
- Past Performances
Audio & Video
Images
Press
Contact

Lexington Philharmonic

Lexington Philharmonic

Lexington Philharmonic
October 20, 2018

Bernstein, Trouble in Tahiti (Dinah)
Scott Terrell, conductor
John de los Santos, director
More Information

What’s Next

Austin Opera
May 2, 2024 - May 5, 2024
Bizet, Carmen (Carmen)
Timothy Myers, conductor
Rebecca Herman, director
More Information

On Instagram

Love this Ascanio in Alba trailer! 4 more chances to see this rarely-performed Mozart piece! @oper_frankfurt 💕

Love this Ascanio in Alba trailer! 4 more chances to see this rarely-performed Mozart piece! @oper_frankfurt 💕

Reviews are in! Very grateful for the chance to play this sweet character, and to help bring to life a lesser-known piece by Mozart. For those coming through Frankfurt this holiday season, there are 5 more chances to catch @nina_brazier’s stunning production of Ascanio in Alba @oper_frankfurt, led by the fantastic @aldenpiano (and #lukasrommelspacher on 28 and 30 Dec). Big thank you to @monikarittershaus for the gorgeous photos!

FRANKFURT FIRST PERFORMANCE 17 December
2023
FURTHER DATES 17, 21, 26, 28, 30 December 2023 / 1, 3 January 2024

~ CREW
CONDUCTOR Alden Gatt @aldenpiano
DIRECTOR Nina Brazier @nina_brazier
SET DESIGNER #ChristophFischer
COSTUME DESIGNER Henriette Hübschmann @henriettehuebschmann
LIGHTING DESIGNER #JonathanPickers
DRAMATURG Deborah Einspieler @deborah_einspieler
^ CAST
VENUS Kateryna Kasper @katerynakasper
ASCANIO Cecelia Hall @cecehallsings
SILVIA Karolina Bengtsson @bengtssonsoprano
ACESTE Andrew Kim® @ten.andrew_kim
FAUNO #AnnaNekhames

FRANKFURTER OPERN- UND
MUSEUMSORCHESTER @museumsorchester_ffm

Reviews are in! Very grateful for the chance to play this sweet character, and to help bring to life a lesser-known piece by Mozart. For those coming through Frankfurt this holiday season, there are 5 more chances to catch @nina_brazier’s stunning production of Ascanio in Alba @oper_frankfurt, led by the fantastic @aldenpiano (and #lukasrommelspacher on 28 and 30 Dec). Big thank you to @monikarittershaus for the gorgeous photos!

FRANKFURT FIRST PERFORMANCE 17 December
2023
FURTHER DATES 17, 21, 26, 28, 30 December 2023 / 1, 3 January 2024

~ CREW
CONDUCTOR Alden Gatt @aldenpiano
DIRECTOR Nina Brazier @nina_brazier
SET DESIGNER #ChristophFischer
COSTUME DESIGNER Henriette Hübschmann @henriettehuebschmann
LIGHTING DESIGNER #JonathanPickers
DRAMATURG Deborah Einspieler @deborah_einspieler
^ CAST
VENUS Kateryna Kasper @katerynakasper
ASCANIO Cecelia Hall @cecehallsings
SILVIA Karolina Bengtsson @bengtssonsoprano
ACESTE Andrew Kim® @ten.andrew_kim
FAUNO #AnnaNekhames

FRANKFURTER OPERN- UND
MUSEUMSORCHESTER @museumsorchester_ffm

The last time I saw Marlena in person, she and I both cringed when Sam pulled out his phone to take a picture of us. How I wish he’d insisted! Instead, we have this sweet picture of Roby playing in Marlena’s sons’ old toy car - she raced to dig it out of a closet when we arrived. She was delighted to meet him, as he was her. She was always in Sam’s and my corner, and she was a huge force in my journey into this career. I can’t imagine being where I am now without the years I spent as her student. My heart is hurting today, but I know she will live on in the hearts of her students, and their students, for a good long while. Thank you, Marlena, for teaching me so much and for reminding me, over and over and over again, to trust myself. I often imagine your smile while I sing. Eternally grateful. Rest in peace.

The last time I saw Marlena in person, she and I both cringed when Sam pulled out his phone to take a picture of us. How I wish he’d insisted! Instead, we have this sweet picture of Roby playing in Marlena’s sons’ old toy car - she raced to dig it out of a closet when we arrived. She was delighted to meet him, as he was her. She was always in Sam’s and my corner, and she was a huge force in my journey into this career. I can’t imagine being where I am now without the years I spent as her student. My heart is hurting today, but I know she will live on in the hearts of her students, and their students, for a good long while. Thank you, Marlena, for teaching me so much and for reminding me, over and over and over again, to trust myself. I often imagine your smile while I sing. Eternally grateful. Rest in peace.

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

What a wonderful ride. Thank you @bostonlyricopera for entrusting me with this beautiful role. I loved being Angelina, especially with this wonderful group of people! Grateful 🥰

And thanks @operawire for this wonderful review!
“It is hard not to be enchanted by Cecelia Hall’s Angelina. Possessing a beautiful lyrical instrument, Hall’s voice has a quality that makes Cenerentola a well-grounded figure; beyond thrilling trills, her Angelina makes us believe that she is the most normal person on the stage — the only one that we can relate to. Her coloratura, therefore, instead of sounding like instrumentalisations of herself, is adjacent to her well-commanded lyrical lines. The challenging psychological problem within “Cenerentola”— why is she seeking the recognition of those who despised and mistreated her — seems to be peripheral to the making of the character. Angelina’s main feature seems to be her niceness and deep-rooted morality. Her voice serves as a moralizing force within the opera. Her “Non più mesta” was an invitation to goodness instead of a showcase of virtue. And her goodness, as opposed to her stepfamily’s wickedness, needs no explanation: it is all present in the voice.”
Operawire 14.11.23 João Marcos Copertino

Repost from @bostonlyricopera
•
🗞️ THE REVIEWS ARE IN 🌟
We’re thrilled to share this shining moment from a review! Our title character stunningly sung by mezzo-soprano Cecelia Hall brought so much humanity to our production. Thank you, OperaWire, for the kind words!

👏 Join us in congratulating the magic of live performance and the incredible talents that brought our Cinderella to life. 🌟

Read the whole review here: https://operawire.com/boston-lyric-opera-2023-24-review-la-cenerentola/

#opera #review #boston #BostonCinderella #CinderellaatBLO

📷 Nile Scott Studios

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Cecelia Hall is represented by Camilla Wehmeyer of Camilla Wehmeyer Management.

Visit Cecelia's page on the Camilla Wehmeyer Management website.

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